The kit, sculpted by Mark Van Tine and casted by Gillman Prods., is excellently done in 2 parts (the bust and the base). There's no flash or bubbles to be found.
I kinda remembered what Sir John looked like from the movie, but it was rather difficult to find photos that weren't screen grabs where the colors were affected by other lighting on stage. The most popular one had the whole image in a sort of yellow light. This was no good.
I finally found "behind the scenes" pics which show a costume in natural light - -
With these images it was time to go to work. Firstly there was a light seam hidden in the fur. It took about a half hour to clear that away and make it disappear--
the kit right out of the box and the base just stuck on. |
The seam removed and fur replaced with Vallejo Plastic Putty |
The removed seam on the other side... |
The base has detail all the way around |
Very cool. The sculptor signed it for me! |
I then move fwd with the new way I prime kits - painting them black and then heavily drybrushing in white. The reasoning behind this is when you thinly apply color, it will automatically give you two tones--
Primed B&W |
First coat of brown |
Agrax Earthshde was added |
It was obvious that the based was on a wooden block. So rather than hiding that, I brought out the wood grain, but kept the block old looking. The pentagram was painted Vallejo's Old Gold and highlighted with Brass. The scratches were painted with Cavalry Brown, which is actually a deep red, and then put some V's Gloss over it to make it stand out a bit. I also created a "shadow in the pentagram with the same Cavalry Brown. That did it. I'm done. :) Thanks for looking.
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